DRAWINGS — GRAPHITE AND WATERCOLOUR
For GRATALOUP, everything begins with drawing. He often repeated, adapting a phrase by Ingres in his own way: “Drawing is the integrity of painting.”
From childhood, when he was already drawing the fir trees and the lake surrounding his home in Nantua, through his travels and his work in the studio, everything became a subject for drawing. From the 1980s onwards in particular, his drawings became increasingly elaborate and closer to his painting practice. Some were reworked in India ink, while others incorporated materials also found in his paintings: sand, brass wire and layers of paint, combined with graphite or watercolour.
Studies, landscapes, explorations or moments captured over the years, these works on paper, some of which are undated, form a drawn record of the painter’s life. The drawings presented here represent only part of this body of work, which is gradually being documented and incorporated into the catalogue raisonné.
Frottages
From the 1970s onwards, GRATALOUP created each year a small-format matrix intended for his New Year cards. From this matrix, he produced a limited series of frottages, which he sent to friends and collectors for the New Year. Although produced from the same matrix, these frottages are all different. GRATALOUP varied the colours from one work to another and individually altered some of them by adding materials or collaged elements such as sand, flowers, leaves or other materials.
Each frottage is therefore a unique work, originating from the same motif but distinguished by the artist’s individual choices and interventions.
The earliest examples identified to date are from 1975. These small-format works make it possible to follow, year after year, the evolution of GRATALOUP’s graphic and symbolic vocabulary and form a distinctive body of work within his oeuvre.
For this presentation, only one example of each motif has been selected and catalogued, in order to document the different matrices and their evolution without reproducing all the variations created from the same motif.
LITHOGRAPHS, SCREEN PRINTS AND ENGRAVING
GRATALOUP produced only a small number of lithographs and screen prints during his career. These works therefore form a limited body of work within his practice, alongside painting, drawing and rubbing, which played a much more significant role.
Produced in limited editions, GRATALOUP’s lithographs and screen prints are numbered, dated and signed by the artist.
They reflect GRATALOUP’s occasional exploration of printmaking techniques and transpose onto paper some of the forms and artistic investigations that run throughout his work

































































































